Publicado

2011-07-01

Music and Society in 19th-Century Nueva Granada and Colombia. The bandola and its History Through Iconographic Sources (1850-1900)

Palabras clave:


Bandola, bandurria, tiple, Colombia, New Granada, musical instruments, music iconography (es)

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Autores/as

  • Egberto Bermúdez

Based on the study of the available iconographic sources
for this period, this article examines the development of
the bandola in Colombia in the second half of the nineteenth
century. It tries to explain how for its development,
the bandola borrowed elements from other instruments
that coexisted initially with it, such as the tiple and the
bandurria; and how, under the influence of Spanish Estudiantinas
achieved the shape and characteristics that
converted into an emblematic instrument of Colombian
‘national’ music, playing a major role in its development
during the first half of the XX century.

Cómo citar

APA

Bermúdez, E. (2011). Music and Society in 19th-Century Nueva Granada and Colombia. The bandola and its History Through Iconographic Sources (1850-1900). Ensayos: Historia y Teoría del Arte, (21), 151–180. https://revistas.unal.edu.co/index.php/ensayo/article/view/45992

ACM

[1]
Bermúdez, E. 2011. Music and Society in 19th-Century Nueva Granada and Colombia. The bandola and its History Through Iconographic Sources (1850-1900). Ensayos: Historia y Teoría del Arte. 21 (jul. 2011), 151–180.

ACS

(1)
Bermúdez, E. Music and Society in 19th-Century Nueva Granada and Colombia. The bandola and its History Through Iconographic Sources (1850-1900). Ens.: Hist. Teor. Arte 2011, 151-180.

ABNT

BERMÚDEZ, E. Music and Society in 19th-Century Nueva Granada and Colombia. The bandola and its History Through Iconographic Sources (1850-1900). Ensayos: Historia y Teoría del Arte, [S. l.], n. 21, p. 151–180, 2011. Disponível em: https://revistas.unal.edu.co/index.php/ensayo/article/view/45992. Acesso em: 24 abr. 2024.

Chicago

Bermúdez, Egberto. 2011. «Music and Society in 19th-Century Nueva Granada and Colombia. The bandola and its History Through Iconographic Sources (1850-1900)». Ensayos: Historia Y Teoría Del Arte, n.º 21 (julio):151-80. https://revistas.unal.edu.co/index.php/ensayo/article/view/45992.

Harvard

Bermúdez, E. (2011) «Music and Society in 19th-Century Nueva Granada and Colombia. The bandola and its History Through Iconographic Sources (1850-1900)», Ensayos: Historia y Teoría del Arte, (21), pp. 151–180. Disponible en: https://revistas.unal.edu.co/index.php/ensayo/article/view/45992 (Accedido: 24 abril 2024).

IEEE

[1]
E. Bermúdez, «Music and Society in 19th-Century Nueva Granada and Colombia. The bandola and its History Through Iconographic Sources (1850-1900)», Ens.: Hist. Teor. Arte, n.º 21, pp. 151–180, jul. 2011.

MLA

Bermúdez, E. «Music and Society in 19th-Century Nueva Granada and Colombia. The bandola and its History Through Iconographic Sources (1850-1900)». Ensayos: Historia y Teoría del Arte, n.º 21, julio de 2011, pp. 151-80, https://revistas.unal.edu.co/index.php/ensayo/article/view/45992.

Turabian

Bermúdez, Egberto. «Music and Society in 19th-Century Nueva Granada and Colombia. The bandola and its History Through Iconographic Sources (1850-1900)». Ensayos: Historia y Teoría del Arte, no. 21 (julio 1, 2011): 151–180. Accedido abril 24, 2024. https://revistas.unal.edu.co/index.php/ensayo/article/view/45992.

Vancouver

1.
Bermúdez E. Music and Society in 19th-Century Nueva Granada and Colombia. The bandola and its History Through Iconographic Sources (1850-1900). Ens.: Hist. Teor. Arte [Internet]. 1 de julio de 2011 [citado 24 de abril de 2024];(21):151-80. Disponible en: https://revistas.unal.edu.co/index.php/ensayo/article/view/45992

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