Publicado

2015-01-01

REFLECTIONS ON KANT’S VIEW OF THE IMAGINATION

DOI:

https://doi.org/10.15446/ideasyvalores.v64n157.38042

Palabras clave:

aesthetic comprehension, Kant, imagination, inner sense, synthesis. (en)
I. Kant, aesthetic comprehension, imagination, inner sense, synthesis. (es)

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Autores/as

  • Tugba Ayas Onol Sakarya University - Sakarya - Turkey

 

Abstract

The paper elaborates the theory of imagination in Immanuel Kant’s Critique of Pure Reason and Critique of Judgment. From the first Critique to the third Critique, the imagination emerges under different titles such as reproductive, productive or transcendental imagination. The paper shall try to decide whether its functions suggested in the first Critique and its performance in the third Critique are contradictory or developmental with respect to Kant’s critical philosophy.Thus, it will examine of the power and the scope of the imagination in the first Critique and of its status and performance in the third Critique. 

 

 

The paper elaborates the theory of imagination in Immanuel Kant’s Critique of Pure Reason and Critique of Judgment. From the first Critique to the third Critique, the imagination emerges under different titles such as reproductive, productive or transcendental imagination. The paper shall try to decide whether its functions suggested in the first Critique and its performance in the third Critique are contradictory or developmental with respect to Kant’s critical philosophy. Thus, it will examine of the power and the scope of the imagination in the first Critique and of its status and performance in the third Critique.

 

Referencias

Crawford, W. D. “Kant’s Theory of Creative Imagination.” Kant’s Critique of the Power of Judgment. Ed. Paul Guyer. New York: Rowman and Little eld Publishers Inc, 2003. 143-170.

Crawford, W. D. Kant’s Aesthetic Theory. Madison: University of Wisconsin Press, 1974.

Gibbons, S. Kant’s Theory of Imagination: Bridging Gaps in Judgment and Experience. Oxford: Clarendon Press, 1994.

Ginsborg, H. “Lawfulness without a Law: Kant on the Free Play of Imagination and Understanding.” Philosophical Topics 25.1 (1997): 37-81. http://dx.doi.org/10.5840/ philtopics199725119.

Guyer, P. Kant and the Claims of Taste. Cambridge, MA: Harvard University Press, 1979.

Kant, I. The Critique of Judgment. Trans. James Creed Meredith. Oxford: Clarendon Press, 1952.

Kant, I. The Critique of Judgment. Trans. John Henry Bernard. New York: Hafner Press, 1974.

Kant, I. The Critique of Pure Reason. Trans. and eds. Paul Guyer and Allen Wood. Cambridge: Cambridge University Press, 1998.

Lyotard, J-F. Lessons on the Analytic of the Sublime: Kant’s Critique of Judgment. Trans. E. Rottenberg. Stanford: Stanford University Press, 1994.

Makkreel, R. “Imagination and Temporality in Kant’s Theory of the Sublime.” Journal of Aesthetics and Art Criticism 42.3 (1984): 303-315. http://dx.doi.org/10.2307/429711.

Makkreel, R. Imagination and Interpretation in Kant. Chicago: University of Chicago Press, 1990.

Schlutz, M. A. Mind’s World: Imagination and Subjectivity from Descartes to Romanticism. Seattle: University of Washington Press, 2009.

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Cómo citar

Ayas Onol, Tugba. «REFLECTIONS ON KANT’S VIEW OF THE IMAGINATION». Ideas Y Valores, vol. 64, n.º 157, enero de 2015, pp. 53-69, https://doi.org/10.15446/ideasyvalores.v64n157.38042.