Correo Electrónico
DNINFOA - SIA
Bibliotecas
Convocatorias
Identidad U.N.
Published
Cantando y bailando se armoniza el territorio: aproximación a cantos y bailes de los Miraña desde el clan Neebaje
Singing and dancing harmonizes the territory: approaching songs and dances of the Miraña from the Neebaje clan
Cantando e dançando harmoniza-se o território: aproximação aos cantos e danças dos Miraña do clã Neebaje
DOI:
https://doi.org/10.15446/ma.v13n2.102999Keywords:
Miraña, historia, ritual, territorio (es)Miraña, history, ritual, territory (en)
Downloads
En este artículo procuro explicar el papel de los cantos y bailes Miraña como elementos para armonizar las relaciones entre la gente, los espíritus y el Creador. Intentaré mostrar que la celebración de bailes va más allá de la expresión meramente estética, del goce personal y de las relaciones interpersonales, para constituirse en expresiones rituales de armonización del territorio. El texto se basa en las historias que me han contado los mayores, así como en mi propia experiencia al participar en distintas iniciativas de fortalecimiento de la lengua y cultura Miraña, aprendiendo y enseñando mientras se canta y se baila. Finalizo con una reflexión sobre el sueño de fortalecer nuestra cultura y algún día regresar a nuestro territorio tradicional.
In this article I try to explain the role of Miraña songs and dances as elements of harmonization and vindication with people, spirits, and the Creator. I will try to show that the celebration of dances goes beyond a merely artistic and aesthetic expression, personal enjoyment, and interpersonal relationships to become forms of harmonization of the territory. The text is based on the stories that the elders have told me as well as my own experience participating in different initiatives to strengthen the Miraña language and culture, learning and teaching while singing and dancing. The text ends with a reflection on our dream of strengthening our culture and one day returning to our traditional territory.
Neste artigo tento explicar o papel das canções e danças Miraña como elementos de harmonização e reivindicação com as pessoas, os espíritos e o Criador. Procurarei mostrar que a celebração das danças vai além da expressão meramente artística e estética, da fruição pessoal e das relações interpessoais para se tornar formas de harmonização do território. O texto se baseia nas histórias que os mais velhos me contaram e também na minha própria experiência de participação em diferentes iniciativas para fortalecer a língua e a cultura Miraña, aprendendo e ensinando, cantando e dançando. O texto termina com uma reflexão sobre nosso sonho de fortalecer nossa cultura e um dia retornar ao nosso território tradicional.
References
Miraña, José E; Franco, Roberto; Bernaza, Antonio (2009) Cartilla Testimonios y relatos para la historia de los Mirañas y Boras del río Cahuinarí (1710 – 2008). Bogotá: Asociación de Autoridades Tradicionales Indígenas PANI.
Seifart, Frank; Miraña, Elio. 2002 (2018). Una guía para escribir la lengua miraña - Mé’jʉ kaatʉnʉ gwajákʉ’áámɨ. Lyon: CNRS.
How to Cite
APA
ACM
ACS
ABNT
Chicago
Harvard
IEEE
MLA
Turabian
Vancouver
Download Citation
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors are responsible of all the authorizations that the publication of their contributions may require. When the manuscript is accepted for publication, authors must send a formal declaration about the authenticity of the work, assuming personally the responsibility for all the contents of the article, and explicitely indicating their right to publish it. Publication of a contribution in Mundo Amazónico does not imply the cession of copyright by the authors; however, sending a contribution to this journal represents an authorization by the authors to the Editors of Mundo Amazónico to publish it. In case that the authors reprint, totally or partially, an article previously published in Mundo Amazónico, either in its original language or in translation, the original source must be cited. The articles published in the journal are covered by a Creative Commons 4.0.
The authors who publish in this magazine agree with the following terms:
- The authors retain the copyright and grant the magazine the right of the first publication, with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with the acknowledgment of authorship and the initial publication in this journal.
- Authors may make additional contractual arrangements for the non-exclusive distribution of the version published in the journal (for example, placing it in an institutional repository or publishing it in a book), with recognition of its initial publication in this journal.
