Publicado

2016-01-01

Aspects of Performance Practice in Bologna in the Sixteenth and Seventeenth Centuries: a Study of Archival Sources

Palabras clave:


Bologna, St. Petronio, musical instruments, performance practise, sacred music. (es)

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Autores/as

  • Valeria Mannoia Universidad de Pavia−Cremona, Italia

At the end of 16th century, Bologna was one of the
most influential cities of the Papal States and culturally
one of the main centres in Italy where a network of
political and artistic forces connected the activities of
civic and church institutions. The Concerto Palatino of
the Signoria of Bologna took part in liturgical and paraliturgical
events that included musical instruments in
the vocal ensemble where the various combinations of
voices and instruments offered new sonic solutions that
influenced the development of local musical repertoires.
The civic church of San Petronio was one of the main
centres of musical innovation of the city and its archival
sources allow for a reconstruction of local performance
practice at the beginning of the seventeenth century.

Cómo citar

APA

Mannoia, V. (2016). Aspects of Performance Practice in Bologna in the Sixteenth and Seventeenth Centuries: a Study of Archival Sources. Ensayos: Historia y Teoría del Arte, 20(30), 18–54. https://revistas.unal.edu.co/index.php/ensayo/article/view/60456

ACM

[1]
Mannoia, V. 2016. Aspects of Performance Practice in Bologna in the Sixteenth and Seventeenth Centuries: a Study of Archival Sources. Ensayos: Historia y Teoría del Arte. 20, 30 (ene. 2016), 18–54.

ACS

(1)
Mannoia, V. Aspects of Performance Practice in Bologna in the Sixteenth and Seventeenth Centuries: a Study of Archival Sources. Ens.: Hist. Teor. Arte 2016, 20, 18-54.

ABNT

MANNOIA, V. Aspects of Performance Practice in Bologna in the Sixteenth and Seventeenth Centuries: a Study of Archival Sources. Ensayos: Historia y Teoría del Arte, [S. l.], v. 20, n. 30, p. 18–54, 2016. Disponível em: https://revistas.unal.edu.co/index.php/ensayo/article/view/60456. Acesso em: 28 mar. 2024.

Chicago

Mannoia, Valeria. 2016. «Aspects of Performance Practice in Bologna in the Sixteenth and Seventeenth Centuries: a Study of Archival Sources». Ensayos: Historia Y Teoría Del Arte 20 (30):18-54. https://revistas.unal.edu.co/index.php/ensayo/article/view/60456.

Harvard

Mannoia, V. (2016) «Aspects of Performance Practice in Bologna in the Sixteenth and Seventeenth Centuries: a Study of Archival Sources», Ensayos: Historia y Teoría del Arte, 20(30), pp. 18–54. Disponible en: https://revistas.unal.edu.co/index.php/ensayo/article/view/60456 (Accedido: 28 marzo 2024).

IEEE

[1]
V. Mannoia, «Aspects of Performance Practice in Bologna in the Sixteenth and Seventeenth Centuries: a Study of Archival Sources», Ens.: Hist. Teor. Arte, vol. 20, n.º 30, pp. 18–54, ene. 2016.

MLA

Mannoia, V. «Aspects of Performance Practice in Bologna in the Sixteenth and Seventeenth Centuries: a Study of Archival Sources». Ensayos: Historia y Teoría del Arte, vol. 20, n.º 30, enero de 2016, pp. 18-54, https://revistas.unal.edu.co/index.php/ensayo/article/view/60456.

Turabian

Mannoia, Valeria. «Aspects of Performance Practice in Bologna in the Sixteenth and Seventeenth Centuries: a Study of Archival Sources». Ensayos: Historia y Teoría del Arte 20, no. 30 (enero 1, 2016): 18–54. Accedido marzo 28, 2024. https://revistas.unal.edu.co/index.php/ensayo/article/view/60456.

Vancouver

1.
Mannoia V. Aspects of Performance Practice in Bologna in the Sixteenth and Seventeenth Centuries: a Study of Archival Sources. Ens.: Hist. Teor. Arte [Internet]. 1 de enero de 2016 [citado 28 de marzo de 2024];20(30):18-54. Disponible en: https://revistas.unal.edu.co/index.php/ensayo/article/view/60456

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